The Design and Care of a Tile-Based City Builder

Tile-based city building games are among my favorites. That’s in large part due to the creativity that they introduce. I mean, I’m one of the generation that grew up with SimCity (1989), obliviously building until the sun began to flood into my college dorm room, suggesting that it was time to be off to bed. I love being able to put together the puzzle pieces of a city, and a good tile-based city builder lets you do that.

City TycoonThe General Shape of the Game

When I’m talking about tile-based city builders, I’m specifically limiting my consideration to game designs that meet several criteria:

  1. Obviously, they allow you to build cities out of tiles: usually square tiles, but occasionally hexes.
  2. Often, you’ll have your own city that you’re working on … but quite a few games instead have you contributing to to a joint city.
  3. The tiles that you place are complete and coherent buildings, businesses, residences, or other structures within a city. They’re not just parts of a whole.

There are probably hundreds of tile-based city games that I could have picked from in writing this article. I opted for the ones that I know the best, because I’ve played them. I’ve mostly focused on recent ones. My complete list for this article includes: Acquire (1964), Alhambra (2003), Between Two Cities (2015), Big City (1999)Carcassonne: The City (2004), Chinatown (1999), City Tycoon (2011), Key to the City: London (2016), Quadropolis (2016), Saint Malo (2012), Suburbia (2012), and Urbania (2012). Obviously I could have picked others (and I may expand this article in the future).  Continue reading

The Design of a Resource-Efficiency Game

A resource-efficiency game focuses on turning resources into victory points through a chain of actions. It’s a very common design style for euro games, but also one with considerable room for variety.

The recently released Manhattan Project: Chain Reaction (2016) shows the style at its simplest. You start out with worker resources. You turn those into yellow cake, which you turn into uranium, which becomes victory-point bombs. There’s a single development path for a four-link chain. The game is all in how fast you can walk that path.

Catan ConflictThe ever-popular Catan (1995) shows a different methodology. A variety of resources become roads, settlements, and cities. You can also look at this as a four-link chain: resources are necessary to create roads, which are necessary to build settlements, which in turn upgrade to cities. However, as with many more complex resource-efficiency games, there’s a feedback loop: settlements and cities can create more resources. Thus the game becomes not just about maximizing efficiency but also maximizing opportunities. Continue reading

A Bagbuilding Look at Orléans

Dominion (2008) kicked off a whole new genre of play: the deckbuilding games. But it’s also created a few spin-offs of its own, with Orléans (2014, 2015) being one of the more far-flung examples.

Styles of Building Play

Though Dominion is all about deckbuilding, a few variants of that core gameplay have appeared.

Deckbuilding. Dominion (2008) debuted the core idea of deckbuilding play. Players start with a deck of mediocre cards that allow them to undertake actions. Over the course of the game players add new, better cards to their deck and remove old, worse ones. Each turn, they’ll randomly draw some of those cards; hopefully they’ll be a coherent set that allows them to take great actions.

Dicebuilding. Quarriors (2011) was the first dicebuilding game. Here players instead start with a handful of dice and buy new ones to improve their dice pool over time. The randomness of the play is moved: where in a deckbuilding game, players draw random cards, in a dice building game, players instead roll random results. This somewhat constrains the randomness: where deckbuilding games tend to be binary (you get a result or not), dice building games tend to have more nuance (you get a result, but its level of effect varies). Dice building games are also theoretically simpler than deckbuilders, as you can’t fit complex effects on a dice face — but Quarriors fought against this limitation by linking dice to reference cards, which was a bit exhausting.

Of course Quarriers also involved a bag: you draw six dice from up to twelve in the bag each turn. But, it’s better to keep that aside for the moment, as the use of a bag defines the newest sort of *builder game … Continue reading

The Alea Analysis, Part Nine: The Castles of Burgundy (#14), Artus (M#7), Las Vegas (M#8)

This article is the eighth in a continuing series that analyzes the entire Alea line of games. For past articles you can read about: Ra, Chinatown, and Taj Mahal in Part One; or Princes of Florence, Adel Verpflichtet, and Traders of Genoa in Part Two; or Wyatt Earp, Royal Turf, and Puerto Rico in Part Three; or Die Sieben Weisen, Edel, Stein & Reich, and Mammoth Hunters in Part Four; or San Juan, Fifth Avenue, and Louis XIV in Part Five; or Palazzo, Augsburg 1520, and Rum & Pirates in Part SixNotre Dame, In The Year of the Dragon, and Witch’s Brew in Part Seven; or Macao, Alea Iacta Est, and Glen More in Part Eight.

By 2011 and 2012, Alea was deep in Stefan Feld land, but that was only the big box series. The medium boxes proved that they were still publishing very interesting games from other designers. Continue reading

New to Me: Fall 2016 — A Key Quarter

Personally, Fall 2016 was the quarter when I started actively seeking out Richard Breese’s Key games, because of how much I liked Keyflower (2012). You’ll see a few of them on this list. More generally, it was a pretty OK quarter. Nothing stuck out as Great, though The Manhattan Project: Energy Empire (2016) was close, but there was also a lot of stuff that was Very Good. And, nothing was absolutely horrible.

As usual this is a list of games that are new to me, and and as usual this listing ranks them by how much I personally like them, as a medium-weight eurogamer.

The Very Good

The Manhattan Project: Energy Empire (2016). One of my playing group asked me if we’d hit peak worker placement and my knee-jerk response was, “yes”. But honestly I’m not sure. We’re a long way out from Caylus (2005), but worker placement has become an almost defining element of eurogaming. I’d swear there were more eurgames with worker placement than not; if so, we may not have hit the peak yet.

Anywho, Energy Empire is a worker-placement game of energy production and resource management. It’s got several elements that set it aside as a unique design. First, you can use a global action space that someone else is occupying, you just have to spend extra energy to do so. Second, after you use a global action space, you can also use personal action spaces (which is the biggest similarity to the original Manhattan Project), as long as their categories match. Third, everyone refreshes their workers at different times (another similarity to the original game); now, it creates even more interesting dynamics for the global spaces, since you’re constantly stacking up more energy than what’s there already.

Continue reading

Support Mechanics & Meeples in 2017!

Over the years, my board game writing has very much been a labor of love. So, once a year I like to remind readers that they can help to support this writing, and ensure that Mechanics & Meeples continues into the distant future.

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