Co-op Case Study: Descent – Journeys in the Dark 1e

The overlord category of co-ops gets a decent amount of attention in Meeples Together, but we probably could have written a whole chapter on how overlords interact with the challenge machinery of a co-op game. Instead, we offer up this case study, our first to discuss an overlord game. It describes one of the foundational games in the modern overlord category, and also outline how overlords and challenge systems work together.

This article originally appeared in Meeples Together.


Descent — Journeys in the Dark 1e by Kevin Wilson

Publisher: Fantasy Flight Games (2005)
Cooperative Style: Overlord
Play Style: Adventure, Combat

Overview

In Descent: Journeys in the Dark, players take on the roles of heroes who are venturing forth on dangerous quests. Each of these quests is codified in a scenario that tells the overlord how to lay out rooms and monsters. The game is then played out as tactical combat, with the heroes trying to fight their way to the end of the scenario while the overlord tries to slay them. Continue reading

Elegant Games, Elegant Components

Remember back to days of playing Monopoly? Did you ever actually read the rules? For myself I’m pretty sure the answer is, “No”, because in more recent years when I have gone back and looked at the venerable Monopoly rules, they looked entirely unfamiliar to me.

There’s a reason for that.

Now, I would never be one to call Monopolyan elegant game, but the Parker brothers did know how to do one thing right: they made good use of their components. In Monopoly’s case, practically everything you need to know about playing the game is right there on the board and the cards.

“Collect $200.00 Salary as You Pass Go” the Start space says boldly. “Community Chest,” another space states. “Follow Instruction on Top Card.” Sets of property are color coded, and the cost of each property is clearly stated on the board. The ownership card for each property displays all possible rents, a mortgage value and the cost of houses and hotels.

Now some game designers (and publishers) think that the primary purpose of components is beauty, so if they want to impress you they use quality materials and plaster artwork wherever possible. The results of this can be very positive. I’ve found that French games in particular, including Asmodee and Days of Wonder, often wow me with their artistic sensibility.

However any publisher that stops there has only gone halfway, and is omitting the other great advantage that components can offer, the one that the Parker brothers knew: elegance. Continue reading