New to Me: Fall 2016 — A Key Quarter

Personally, Fall 2016 was the quarter when I started actively seeking out Richard Breese’s Key games, because of how much I liked Keyflower (2012). You’ll see a few of them on this list. More generally, it was a pretty OK quarter. Nothing stuck out as Great, though The Manhattan Project: Energy Empire (2016) was close, but there was also a lot of stuff that was Very Good. And, nothing was absolutely horrible.

As usual this is a list of games that are new to me, and and as usual this listing ranks them by how much I personally like them, as a medium-weight eurogamer.

The Very Good

The Manhattan Project: Energy Empire (2016). One of my playing group asked me if we’d hit peak worker placement and my knee-jerk response was, “yes”. But honestly I’m not sure. We’re a long way out from Caylus (2005), but worker placement has become an almost defining element of eurogaming. I’d swear there were more eurgames with worker placement than not; if so, we may not have hit the peak yet.

Anywho, Energy Empire is a worker-placement game of energy production and resource management. It’s got several elements that set it aside as a unique design. First, you can use a global action space that someone else is occupying, you just have to spend extra energy to do so. Second, after you use a global action space, you can also use personal action spaces (which is the biggest similarity to the original Manhattan Project), as long as their categories match. Third, everyone refreshes their workers at different times (another similarity to the original game); now, it creates even more interesting dynamics for the global spaces, since you’re constantly stacking up more energy than what’s there already.

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New to Me: Fall 2015 — A Really Great Season

It was a really great season for board games. I played perhaps a few less games that were new-to-me than usual, but the recurring theme was that they were all good or better. OK, I played Exploding Kittens near the end-of-the-year because Christmas family gatherings … but not even that could bring down what was a season of fine games!

The Great

Pandemic Legacy ThumbnailPandemic Legacy — Season 1 (2015). Any discussion of the new Pandemic variant should begin with my belief that Pandemic itself is a great game. I count it as one of the three most influential and important co-op games. Arkham Horror (1987) mostly invented the genre and Lord of the Rings (2000) reinvented it for the modern day. However, it was Pandemic (2007) that made the genre accessible. It’s also a near pitch-perfect design with huge piles of difficulty and chaos, and its great replayability.

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Brawl of Cthulhu — A Lovecraftian Gamopedia

Some time ago, I wrote an article discussing many of the Cthulhu games on the market. Six years later, I’ve decided to return to the topic by looking at some of the major Cthulhu games that have appeared since. However, rather than just creating a partial list of new games, I’ve also reprinted (and revised) all my previous mini-reviews, to make this a comprehensive look at Cthulhoid games.

The one limitation is that these are just the games I’m familiar with. Most I’ve played, but for the one where I just read the rules, I’ve noted that. There are still a few notables missing, such as The Hills Rise Wild, and Munchkin Cthulhu. I may add them to this article with a quiet edit some time in the future. (And, if you’ve got a Cthulhu game that you’d like me to play and add to this list, drop me a line in the comments.)

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Co-Op Interviews: Matt Leacock

PandemicMatt Leacock is the author of Pandemic — one of the essential games in the cooperative field thanks to its attention to light, quick, well-polished gameplay. He’s also the author of Forbidden Island and the brand-new Forbidden Desert, which is to be released in several languages this quarter.

This interview was conducted in email over the course of April 2013.

Shannon Appelcline: What made you decide to design a cooperative game — and more specifically, what made you decide to design Pandemic?

Matt Leacock: I was introduced to the idea of a cooperative game being genuinely fun (as opposed to a “fun” educational experience) by Reiner Knizia’s Lord of the Rings. I found the mechanisms in that game fascinating — how so much tension could be created by pieces of cardboard — and wondered what it would be like to create my own. At the time, pandemics where all over the news and it seemed to me that diseases would make an excellent opponent: they’re unfeeling, scary, can grow out of control, and I figured they could be modeled with fairly simple rules. Those latter two properties were the most attractive. I’m drawn to designing games with emergent systems (where a simple set of rules can result in highly complex and variable results) and the thought of a system spiraling wildly out of control was irresistible to me.

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